Showing posts with label the beatles. Show all posts
Showing posts with label the beatles. Show all posts

Friday, May 4, 2012

#Julia may be Julia Smith

The 2012 presidential campaign is moving forward, so to speak. Barack Obama is pretty busy, both on the offensive and the defensive, and Mitt Romney's activity is rather reactive than proactive. Curious things happen just every week, and teachable moments arise every once in a while. Like, #Julia, the latest creation of the Barack Obama campaign:
 
Enhanced by Zemanta

Wednesday, December 8, 2010

John Lennon, no matter what, I still miss you

Thirty years ago, John Lennon, a living legend, founder and leader of the greatest pop/rock act of all times (eat your heart out, Lady Gaga), was murdered by a nightmarish "fan" named Mark David Chapman (looks spookily like Stephen King), claiming that the Artist (yes, with a capital A) was a phony (by singing "Imagine there's no possesions" and being worth some 150 million dollars) and let's face it David, your Herostratus complex claimed John's life for your craved instant notoriety.

Today there is no approach but the personal approach to comment on John's death anniversary. It's tiresome for everybody to sing one more time all the well-known and well-deserved accolades. I won't start to point a finger and say how terrible he was as a person, either. It's easy to dismiss John's shortcomings when you remember which his achievements were. All the Beatles disappoint me at one moment (Paul did it recently at the White House), but as a raging beatlemaniac, I'm more than willing to forgive them.

BTW, Lennon's character was full of horrible flaws, but that didn't stop him from trying to do the right thing, and once again, we should remeber that only a few people (at least three of his peers) could truly understand how it was to become insanely famous, with fans adoring and worshipping you, telling also you couldn't do no wrong.

The final cheap shot: could be Obama thinking he can relate to the previous sentence?
Enhanced by Zemanta

Sunday, March 7, 2010

The Beatles Remastered Catalog - The Assessment (Let the music speak for itself)

Hope we hear some news from the sipmac ensemble anytime soon! Because right now the entire team is experiencing for the first time the entire Beatles Catalog Remastered! So far so good! The sound is great (any backward or headphones gimmicks have not been used until now), but it is for sure a deluxe (for once it is the right word) set, with pictures, liner notes... it is worth every penny spent! An in-depth analysis is pending... you have been warned! Now, sit down, relax and enjoy!

Long live the Beatles! Now at home, next time in... Liverpool?

The Assessment - December 24th, 2010

I been procrastinating with this long-time announced post; but, what can I do? What can I add to this long Beatles saga? What new insight did I brought to the Beatle people? Well, yes I can. But the more I try, the less I can. I bought the entire collection in stereo and started to listen... and listen... and listen... as matter of fact, the music speaks for itself. The CD covers bring a comfy atmosphere, and you start trying to suck everything you can from the mini-documentaries, and you start to feel... happy.

Being a beatlemaniac for so long, you start to think you're start to run out of adjectives and praises, but as I said, let the music (you can feel the difference) speak for itself. The Box is worth every penny you give, and conceding I can't still stomach the Magical Mistery Tour, nevertheless it is great to appreciate firsthand the art of the entire album - not to mention the music.

John Lennon's influence cast a ever-growing shadow on the Beatles oeuvre, something still makes Paul McCartney nervous, but he should not to bother too much. He did his bid, too (But we have to concede that the first albums were Lennon's territory, but from Rubber Soul on he fortunately takes off). The White Album looks greater than ever, and Abbey Road baffles me like the first time. I still wish George and Ringo had more songs on those albums. Hey, Let It Be, properly conducted and produced, could have been another original double album, not to mention Abbey Road! The repetitive final chords of I Want You (She's so Heavy) makes me to thank God Almighty, just because this is such a great time to have all The Beatles' Albums, when twenty years ago it was a task for really wealthy collectors. Downloading them on Ares is for sissies.

Sometimes God and The Beatles doesn't seem to belong together in the same sentence (witness Lennon mean attitude to God, Jesus and religion - more on this maybe on a later post), but then I look for McCartney's assistance: he said most of their songs were about peace and love, and Ringo still clings to his given mantra; not to mention Harrison's spirituality (You can feel it in "Something" and "Here Comes the Sun"). Hope God take note on this.

Yes I want it, because I am always willing to forgive The Beatles' individual shortcomings. They made it right once then. The remastered albums are witnesses to this. Thanks once again.

FULL DISCLOSURE: April Camus first Thesis was dedicated to John, Paul, George, Ringo, Axl and Slash (more on Axl and Slash maybe on a later post).
Enhanced by Zemanta

Thursday, September 17, 2009

Beatles Catalog (Finally) Remastered – A satiric Beatles-wordplay-and-puns-free assessment

On September 9th, 2009, the entire Beatles original catalog was released to an always avid target: three loyal generations of Beatlemaniacs and unsuspecting buyers we could qualify as collateral damage. As we saw with the 2006 released Love, we could appreciate in the documentary how difficult it was to the producers to come up with decent mashups, even with the entire same catalog at disposition (Yeah, sure. Just look out for Beatles’ mashups in Youtube. Start with Paperback Believer). With this in mind we can infer how difficult it was the remastering of every single song released in the 13 official albums with the singles and EP original material without botching it.

Because it doesn’t matter how many times the marketing team ends up not with a bang but with a wimp: the original songs remained the same. Until now. With such a task, the EMI engineering team, supervised by none others than Paul, Yoko, Olivia and Ringo, worked 4 years straight… until they could not hear a Beatle song anymore. First they searched for similar experiences around the world. Finally, in Colombia they bought the 1998-produced 30 Grandes Exitos – Diomedes Díaz and the original albums. After carefully (and for most of them, painfully) listening, they knew then what to do exactly with the Beatles catalog:

* First, suppress all chat and greetings to zero. Otherwise the recordings get too mundane instead of classy. Since Let It Be… Naked was released in November 2003, people would know already what to expect. Oh! Sorry What Goes On Website, your work is not needed anymore.

* Get rid of embarrassing out-of-tune performances! That means you, Hold Me Tight! Ole Paul was literally forced to re-record the With the Beatles’ track entirely with the early technology and sing correctly this time. When he protested, George Martin said: “You saw this coming from 46 years ago!” Mr. Moonlight? Out with the annoying Hammond solo! And another slap in the wrist for Macca!

* As in "30 Grandes Exitos", where the guacharaca was suppressed and replaced for *stylish, refined* cymbals, the entire drums and percussion of the tracks were removed and replaced with a drum box! In an upcoming Rolling Stone interview, Ringo will talk about how he is finally fed up with being the butt of jokes and harsh and unfair criticism for his drumming job in the band, so he gave up all his work for a bigger share in the Beatles’ business. Finally a point for Macca (fair or unfair his drum parts weren’t removed)!

* Revolution 9 was supposed to be enhanced with disparaging remarks of Michael Jackson made by Paul, Yoko, Olivia and Ringo, but self-styled King of Pop’s death recent death made them quit the project.

* As a special gesture, Strawberry Field Forever was intended to be reworked since the late John was never satisfied with the final result, the originally 1967-released version. But it was not possible to contact him, in spite of all the attempts made.

* In the most controversial move, all non-Harrisongs lead and rhythm guitar work was scrapped and replaced for all new Macca and Eric Clapton’s work. In his final days, close to achieve another happier and peaceful plane of existence, George Harrison couldn’t care less about the request and gave his permission to this. If this was the way for Macca to “finally set things straight”…

Well, speaking seriously now I wish the entire work can be heard as I heard Let It Be… Naked for the first time. Thank you, lads!
Enhanced by Zemanta

Monday, April 20, 2009

Have you ever heard Let It Be... Naked?


Compared to the original album, "Let It Be...  Naked" sounds like a pile of mud has been removed from the original master tapes. This is the album I wish it was released originally, with the full eight minutes version of Dig It.

I will concede that the technology wasn't that advanced then, but in "Naked" you can hear a better band playing! It will feel like I'm kicking someone while lying on the floor, but Phil Spector did not have a clue. Well played, the overdubs were unnecessary (and a lot of stress would have been saved in the band).

An album with direct, live songs was a real possibility. I have to concede that some editing was necessary, too. For anyone that watched the movie, it is clear in "Don't Let Me Down" and "The Long and Winding Road". Still, as I said before, listening to the music feels like something unearthed, cleaned its dirt off,  and restored to its full glory.
Enhanced by Zemanta